You question is an example of why every film project should have a lawyer on board from the beginning. Before you let anyone read your script, and certainly before you have them suggest changes to it, you should have a contract in place stating why they are reading it and what their relationship to it shall be. For example, before the work was done, you could have had a Work For Hire contract where you were hiring the Director to make script change suggestions. You cannot create a Work for Hire contract after the work is done and you cannot create one except in writing and it must be very exact. Because you failed to get proper legal help in a timely way, now you are in position where the Director may or may not have the right to claim partial ownership on the intellectual property of the script. You can either absolutely remove all the changes made through the Director's suggestions and make sure those changes or any others suggested by the Director are never again implemented in the course of completing the film, such as in later script revisions, improvisations, or editing, or you can give the Director whatever rightful share of the Copyright belongs to the him or her. In any case, you should get a written agreement in place now with the Director, otherwise your film will not be able to move ahead because there will always be the possibility of a crippling lawsuit hanging over the project. You should get a lawyer to do this and not try to do it yourself. Are you a union writer? Is the director a union director? Is this a union project? I ask this because the unions have rules that may affect the answers to these questions. Get a lawyer. com
Answered on Oct 16th, 2012 at 2:56 PM